Friday, February 23, 2007

Branden Boyer-White, Week One, Story Two

‘The Fickle Hook of Fate’

I wasn’t actually that frightened by the radio announcement about the escaped homicidal maniac, but Teddy was really in a mood to ‘do it’ and I wasn’t so I said I had the creeps real bad and wanted to go home. Teddy rolled his eyes and put his lips back on my neck with all the finesse of an octopus scaling a glass wall; I let him carry on for a couple more minutes but it got to be too much so I insisted we leave for safety’s sake. The announcement had said the maniac had broken from an asylum not four miles from where we were parked, after all. And he was a murderer; a crazy one. We definitely had to leave, I told Teddy while I buttoned up my sweater. I had had to unbutton it myself not half an hour earlier: he could be such a dunce with closures.
‘Do you just not want to do it or something?’ he sighed, resting his forehead to the steering wheel like he was chucking a pumpkin.
‘Of course not. I mean, of course not, that isn’t what this is about. You heard the news bulletin: everyone within a ten mile radius of Friendly Hills House is advised to stay home. I mean, he’s a killer- with a hook for a hand.’
‘We should be doing it more by now, you know. We’ve been going together for, like, eight months now. That’s like, forever.’ Sometimes, when the moonlight filtered through the windshield just right, on nights like this when we parked, Teddy’s eyes looked almost intelligent: like any moment, he would become a poet or a theorist or something. It was why I had hoped to fall for him eventually, why I had given myself to him in a moment of heated, unbridled curiosity. The way the moonlight hit him just them, he looked like Teddy, homecoming king 1962, so I dredged up some tears to show how terrified I was and he started the car and we were on the road home.
I find that when I remember back to that night, I think about predestination, or the collective unconscious: stuff like that; I think about how even though the car was acting up as it made its way down the dark road, I couldn’t be distracted from wondering what the maniac looked like, hook hand and all. I think about the way Teddy talked to the engine and asked it if the crack in the oil pan was the problem, almost as though he expected it to answer, and how I didn’t talk back to him in my car engine voice the way I usually did because it made him giggle so hard. I think of not having given him his last giggle.
I think of how I didn’t tell him to not go for help after the car had belched to a halt on the desolate highway, a whole twenty minutes from the nearest house. I suppose we could have stayed there all night and waited for help, if I had suggested it as an alternative, but I didn’t; and I rationalize that if there is some greater scheme to things, then it’s not my fault that Teddy has his head bashed in on his own bumper by a maniac not ten seconds after he had left the relative safety of the car. It was just as easily supposed to happen anyway as not.
I might have been more upset by the sight to Teddy’s body on the ground, his sometime-almost poet’s eyes forever closed, if I hadn’t seen the hook stuck in the door handle immediately after getting out of the car. It wasn’t as grand a hook as I had been imagining, but I guess it is my tendency to romanticize at times. I had wanted an elegant pirate’s glistening silver tusk: the thing lodged up tight under the bar of the door handle was a dark, industrial metal and probably most menacing-looking to the fish that had been gutted with it. You couldn’t fight a flying boy with this hook. All the same, I put in the considerable effort to work it out from its trap, and then turned my attention to the maniac with a stump instead of a hand standing at the front of the car.
There was a swath of blood draped entitled-like across the bumper, but he was staring instead at a plume of steam that was snaking in a white, searching tongue from under the hood.
‘I believe I broke your automobile,’ he said.
‘Oh, it’s not my car. It’s my boyfriend’s.’ I threw a glance at Teddy on the ground so the maniac would know who I was talking about. ‘And anyway, I’m not sure it was your fault. The oil pan’s been cracked for a while; dragging your extra weight probably only exacerbated the existing problem. Here’s your hook.’
‘Thank you,’ he accepted it and with a spider’s dexterity in his fingers, managed to reattach it to a leather strap around his wrist. Once a part of his person, the hook took on new shapes and meanings- it was like some cheeky Modernist sculpture, or the tree branch scepter of an earthy pagan idol. Suddenly, I couldn’t help but notice that for an escaped homicidal maniac, he was kind of dreamy. He nodded with the satisfaction of being reunited with his appendage and looked back at me. ‘So, how long have you two been lovers?’
‘Me and Teddy? Since the beginning of this school year; I am of the mindset that you shouldn’t spend your senior year alone. It’s the last chance you have for the rest of your life to have a high school romance, you know?’
The maniac finally smiled; he had a scar that lifted one edge of his lip higher than the other. Very impish. ‘Yes, I remember my first lover. She was an oboist. We never did get to Vienna. The way one wastes a summer, don’t you think?’
I nodded. ‘What’s your name?’
He waved the question off with his hook. ‘What’s in a name?’
‘Shakespeare. Keen.’ I smiled. He smiled.
And so it was; I am sorry to say nothing more happened between us, nothing more than the passing of two strangers, ships on the road of life nodding a hello to one another in the night. And I believe that is enough, most of the time. Predestination, a big group idea of what should happen, that is how it happens: the way it’s supposed to. So, I can only be thankful for what I was allotted.
I hope the maniac got to Tallahassee the check on the prize-winning rosebushes he had to leave behind; so few people appreciate beauty in this world. And me? Prom queen 1962, a lifetime of car trouble and octopus kisses stretched out in front of me, all a desolate highway. At least now, I know it’s okay to not be afraid of what the radio tells you to fear; I know that you should always endeavor to give someone their last giggle, because it might be the thing you’re meant to do. In the end, I have that night, and the way the moonlight illumined the maniac’s poet-eyes like so many star dust candles. I wasn’t sure that I believed in kindred spirits until I met the maniac: love? Probably not; but by God, it was conversation.

4 comments:

Tony Barnstone said...

SEE MY COMMENTS BELOW IN BRACKETS:

Friday, February 23, 2007
Branden Boyer-White, Week One, Story Two
‘The Fickle Hook of Fate’ [interesting title]

I wasn’t actually that frightened by the radio announcement about the escaped homicidal maniac, but Teddy was really in a mood to ‘do it’ [use full quotes] and I wasn’t [comma] so I said I had the creeps real bad and wanted to go home. Teddy rolled his eyes and put his lips back on my neck with all the finesse of an octopus scaling a glass wall [work on this image. The octopus is good, but not sure glass wall works for neck]; I let him carry on for a couple more minutes but it got to be too much so I insisted we leave for safety’s sake. [maybe a snippet of dialogue here to dramatize the irony and doubleness of the moment: I insisted we leave because "I just don't feel safe." Something like that?]The announcement had said the maniac had broken from an asylum not four miles from where we were parked, after all. And he was a murderer; a crazy one. We definitely had to leave, I told Teddy while I buttoned up my sweater. I had had to unbutton it myself not half an hour earlier: he could be such a dunce with closures.
‘Do you just not want to do it or something?’ [use full quotation marks for dialogue] he sighed, resting his forehead to the steering wheel like he was chucking a pumpkin. [funny]
‘Of course not. I mean, of course not, that isn’t what this is about. You heard the news bulletin: everyone within a ten mile radius of Friendly Hills House is advised to stay home. I mean, he’s a killer- with a hook for a hand.’[oh, THIS urban myth!]
‘We should be doing it more by now, you know. We’ve been going together for, like, eight months now. That’s like, forever.’ [I like the diction. Funny and in character]
Sometimes, when the moonlight filtered through the windshield just right, on nights like this when we parked, Teddy’s eyes looked almost intelligent: like any moment, he would become a poet or a theorist or something. [poor Teddy!] It was why I had hoped to fall for him eventually [interesting], why I had given myself to him in a moment of heated, unbridled curiosity. The way the moonlight hit him just them, he looked like Teddy, homecoming king 1962, so I dredged up some tears to show how terrified I was and he started the car and we were on the road home.
I find that when I remember back to that night, I think about predestination, or the collective unconscious: stuff like that; I think about how even though the car was acting up as it made its way down the dark road, I couldn’t be distracted from wondering what the maniac looked like, hook hand and all. I think about the way Teddy talked to the engine and asked it if the crack in the oil pan was the problem, almost as though he expected it to answer, and how I didn’t talk back to him in my car engine voice the way I usually did because it made him giggle so hard [oh, funny! Great detail]. I think of not having given him his last giggle.
I think of how I didn’t tell him to not go for help after the car had belched to a halt on the desolate highway, a whole twenty minutes from the nearest house. I suppose we could have stayed there all night and waited for help, if I had suggested it as an alternative, but I didn’t; and I rationalize that if there is some greater scheme to things, then it’s not my fault that Teddy has [had] his head bashed in on his own bumper by a maniac not ten seconds after he had left the relative safety of the car. It was just as easily supposed to happen anyway as not.
I might have been more upset by the sight to [of] Teddy’s body on the ground, his sometime-almost poet’s eyes forever closed, if I hadn’t seen the hook stuck in the door handle immediately after getting out of the car. It wasn’t as grand a hook as I had been imagining, but I guess it is my tendency to romanticize at times. I had wanted an elegant pirate’s glistening silver tusk: the thing lodged up tight under the bar of the door handle was a dark, industrial metal and probably most menacing-looking to the fish that had been gutted with it. You couldn’t fight a flying boy with this hook. All the same, I put in the considerable effort to work it out from its trap, and then turned my attention to the maniac with a stump instead of a hand standing at the front of the car.
There was a swath of blood draped entitled-like across the bumper, but he was staring instead at a plume of steam that was snaking in a white, searching tongue from under the hood. [nice writing]
‘I believe I broke your automobile,’ he said.
‘Oh, it’s not my car. It’s my boyfriend’s.’ I threw a glance at Teddy on the ground so the maniac would know who I was talking about. ‘And anyway, I’m not sure it was your fault. The oil pan’s been cracked for a while; dragging your extra weight probably only exacerbated the existing problem. Here’s your hook.’
‘Thank you,’ he accepted it and with a spider’s dexterity in his fingers, managed to reattach it to a leather strap around his wrist. Once a part of his person, the hook took on new shapes and meanings- it was like some cheeky Modernist sculpture, or the tree branch scepter of an earthy pagan idol. Suddenly, I couldn’t help but notice that for an escaped homicidal maniac, he was kind of dreamy. He nodded with the satisfaction of being reunited with his appendage and looked back at me. ‘So, how long have you two been lovers?’
‘Me and Teddy? Since the beginning of this school year; I am of the mindset that you shouldn’t spend your senior year alone. It’s the last chance you have for the rest of your life to have a high school romance, you know?’ [funny]
The maniac finally smiled; he had a scar that lifted one edge of his lip higher than the other. Very impish. ‘Yes, I remember my first lover. She was an oboist. We never did get to Vienna. The way one wastes a summer, don’t you think?’
I nodded. ‘What’s your name?’
He waved the question off with his hook. ‘What’s in a name?’
‘Shakespeare. Keen.’ I smiled. He smiled.
And so it was; I am sorry to say nothing more happened between us, nothing more than the passing of two strangers, ships on the road of life nodding a hello to one another in the night. And I believe that is enough, most of the time. Predestination, a big group idea of what should happen, that is how it happens: the way it’s supposed to. So, I can only be thankful for what I was allotted.
I hope the maniac got to Tallahassee the [to] check on the prize-winning rosebushes he had to leave behind; so few people appreciate beauty in this world. And me? Prom queen 1962, a lifetime of car trouble and octopus kisses stretched out in front of me, all a desolate highway. At least now, I know it’s okay to not be afraid of what the radio tells you to fear; I know that you should always endeavor to give someone their last giggle, because it might be the thing you’re meant to do. In the end, I have that night, and the way the moonlight illumined the maniac’s poet-eyes like so many star dust candles. I wasn’t sure that I believed in kindred spirits until I met the maniac: love? Probably not; but by God, it was conversation.

[Love the story, love the turn in expectation, love the ending, but worry about the moment when she first encounters the maniac. Their dialogue is great, but the first moment maybe should have a whiff of uneasiness, nervousness, something to milk the reader's expectation that the narrator is going to attack the maniac or is afraid of being attacked. It might be being played too "cool" in its current state. Best, Tony]

Matt Carney said...

Right off the bat, I think you definitely write with a defined, strong style. Good writing throughout. The concept of the story is humorous, too, and I love where you take it.

My criticism is in line with Tony's; after our pal Teddy is "gutted like a fish" [Scream 2], the protagonist seems to forget she was even attempting to like Teddy and comes off terribly detached from the scene. I think Teddy's a sucker, but it's always somewhat distressing to see somebody's blood pooling up on the bumper and their giblets all over, you know? I really did enjoy the way you lead up to the murder, with that series of distant, 'looking back' statements ("I think about how even though the car... I think about the way Teddy talked... etc).

Going into the conversation with the killer is fabulous. Great idea. Maybe they could talk a little more and get deeper, get into some hardcore life discussions or whatever so we could find out more about the characters.

Good story with a good twist. Looking forward to more!

Christian Fazio said...

I agree with Matt...i really like your story, i love the style and the way you execute it. however i feel the murder happens far too fast. o would love to hear teddy's voice in the story more. i want to hear what he thinks about what he does, give me areason not to like him. furthermore give her a reason, besides octopus kisses. Secondly, i dont buy the voice of your female protaganist. make her teenage, make her real. she can still be apathetic towards Teddy's death but have her talk about teeange things. the sock hop, the mall, or if you want, her sex-life. this will give us more of a window into her life. who she is and what she dreams about...overall good work. very original, great sense of humor

Lee BC said...

I really liked (disliked) the character of teddy and the octopus kisses. I wanted more from the part where he gets hooked, maybe more gruesome but still with the removed tone of the narrator to keep it funny and not so horrible

great ending