Wednesday, February 28, 2007

The Delicate Lawn

The Delicate Lawn
By Josh Simon
From the sky, glass rained upon Ollie’s dirty blonde hair. As we curled up next to each other in a smelly, burnt-out, rusted sewer tunnel, we couldn’t imagine why we were victim to the quick and irrational assault that now faced us. We were soaked from eyebrow to eyebrow in an unforgiving New York winter that scolded you as it fell. The yellow cabs had swirled on and off the roads that night trying to grip the slushy surface like a dog that had just been hit by a train. A slow, chugging like will to move a few more feet before collapsing into the endless heaps of muddy grey snow that would pile so generously in the gutters. New York winters will do that. It was in fact, during a New York winter when I saw my first corpse. Although most people won’t admit it, there is a dark yearning deep within themselves to see a corpse. Some people go their entire lives without ever seeing death in actual reality.
A homeless man had fallen asleep on an outdoor subway platform. He had probably closed his eyes tightly to resist the wind that whips a bare face to a red and scorched plain. His facial expression was still like a concrete golem. I though of the homeless man I had seen that winter as four more empty bottles of Mickeys crashed next to my soaked converse sending shards every direction. I gnawed vacantly on my fingernails as Ollie screamed for them to stop; he begged and pleaded but the violent pitching continued. We weren’t entirely sure why the young kids below were continually throwing bottles that once held liquid happiness but now simply consisted of empty waste. The kids who began to throw the bottles at us couldn’t have been any older than fourteen. They resembled a hostile tribe chasing an estranged colonist out of a nameless African country. With bottles and baggy pants as their sole identifying trait they stood as one.
As the glass continued to crash around us frantically in monsoon like quantities they finally came to a stop. They must’ve been trying to kill us that night as we huddled helpless to some teenagers and a city that was slipping on every cold, unfinished crack in the streets. After waiting another hour, we finally left the tunnel to an empty street mottled with green and brown glass that somehow resembled a fragile and delicate lawn. They resembled a lawn for aesthetics. A lawn that could hold no picnics or baseball games. We walked across the crackling glass beneath us. The pop and hiss of every step echoed through the last part of the tunnel as we approached 5th and 78th. We walked back home trudging past street vendors with hot dogs and honey-roasted nuts. Past the overpriced Indian gift shops and the over salted streets.
It was another New York winter and I suppose everyone wanted to see a corpse.

2 comments:

Christian Fazio said...

This should be your first line: It was in fact, during a New York winter when I saw my first corpse. It draws readers in immidiatly and makes them want to know why.

Also, give the kids a reason to throw bottles at your protaganists. interaction and further motivation would make your story more beleivable

why is no one stopping these hooligans? I dont get it. New York is crowded...everywhere at all times.

I would like to see interaction between your two protaganists. i want to hear Olly's voice




I like your concept alot. it is captivating and terrifying. your story gives me motivation to write about a real life experience that happened to me a few years back.

keep up the good work man!

Melisa said...

Your story has a really interesting mysterious quality. From the very beginning for some reason I get the idea that this takes place in the future, a future that is much dirtier and violent than the present. It has a kind of Blade Runner feeling going. I can’t decide whether I really like the mysteriousness, or whether I want to know more.
In and of itself it does feel complete, I think. But at the same time you could also have taken it so much farther. As far as the title is concerned, I like what you are getting at, making a point that this lawn is kind of a precious thing in a grubby world, and it too is getting ruined, but I don’t think you emphasize that enough in the actual story. I think if the lawn is the focus you should maybe begin with something about the lawn, or the idea of nature, and come back to the lawn a few times throughout the story.
When you bring in the part about the corpse it is shocking and you do a good job of bringing up this idea of secretly thirsting to see death in a very effective way. The whole idea feels very raw and real and nicely accents the whole theme of the story and the focus on grass and the fact that it too is living, yet dying.
At the beginning of the story when you talk about where these two people are I get confused visually. They are in a sewer tunnel but glass came down from the sky onto Ollie’s head? Are they standing under a manhole? And later you describe the kids throwing the bottles from below you. I don’t understand how that is possible from a sewer either. But I really liked your detail: “they resembled a hostile tribe chasing an estranged colonist out of a nameless African country”. You have a lot of good details like this that really bring the story to life and give it character. I didn’t really understand the detail about the cabs being like dogs getting hit by trains. When I picture that I see a dog getting flattened instantly. Not knocked and dazed and about to collapse. I think that is more along the lines of a dog who has just run into a window… or maybe a dog who’s on roller skates… though those don’t exactly give the same dark quality you are probably going for…
Speaking of character, another thing I would have liked to have seen is some more development of the characters. Even small details about specific events in the pasts of these guys’ lives, to explain why they are in the sewer to begin with. Over-all though I think you have a really vivid cinematic idea going that you could really run with. Great job!