Monday, April 30, 2007

"Where All The World Comes From"

I'm sorry this took so amazingly long... I hope you have enough time to read it!



Where All The World Comes From



Young Chris Kandmin laid the map out on the lunch table under the musty, overcast sky. In pencil, it accurately illustrated the playground, Os and Xs and long, winding lines between buildings to demonstrate the strategy he’d devised to crush his enemies. It was a good plan, and an easy one. But he and the other three boys had only 20 minutes before first recess was over.

“Ok guys, listen” Chris began. “Here’s the map of our school. I drew it. But we’re gonna start here in the sandbox,” he pointed at the position with his pencil for effect. It looked official.

“So we can get those sandrocks we made.” Thomas pitched in. It had been his idea. It rained days before, the sandbox sloppy with mud, and he mentioned something about balls of mud drying in the sun and throwing them and they’d brake apart. They made a dozen, setting rocks at their center.

“Yeah Thomas. We’re gonna use the sandrocks. We’ll start there and move to the soccer field at the other side. They’re always around the portables. Now what we need to do is, all of us together like a team—“

“Now wait,” Andrew spoke up, “but what about yard duties? We can’t get in trouble and they’re always there.” He ran his hands through his brown mop-top at the thought.

The young boys all nodded. Nobody wanted to go to The Office. From there, The Principal would either give them trash pickup or call their parents, and they’d lose recess for an entire week. If they told the teacher, they may have to pull a red card.

“Well, listen.” Chris stood up. He tossed his blonde waves back and straightened his jean jacket. “They’re not even there. They don’t go in there, look at the map I drew. And anyway. We can’t forget why we’re gonna do this. Christopher Cruner is a bully. He pushes guys around for no reason! We all know that, and we all know his friends do it too.”

“Well, what about ‘two wrongs don’t make a right,’” John said matter-of-factly. “I don’t think we should do it. It’s all risky.” He crossed his arms over his Michael Jackson ‘Dangerous’ shirt. Andrew crossed his arms as well and nodded.

Chris examined them. Andrew was the one he really needed for the attack. He was about the same height as Chris and they were in the same Karate class, so he knew Andrew could fight all right. John was much shorter and though he was as outspoken as Andrew, he mostly did what the others wanted to do, especially Andrew. They always did everything together, and they both had rich families and afraid of being in trouble. They’d fight and do whatever thing needed to be done, but only if they wouldn’t be in trouble. Thomas wasn't smaller than the others, though he was passive and seemed much plainer. He wore a buzz cut and the same, crummy green windbreaker every day. He was dependable and loyal and didn't say much.

Chris knew how to win the others over. “Well don’t you watch the news? You know about the war.”

“Psh, yeah,” said Andrew, “those idiots are going to die!” He laughed at the idea.

“Ok. Well we can’t forget why we’re fighting them. My dad explained this to me. I know all about it. Iraq attacked this other country for no reason— ‘cause of money— so we sent guys in to take care of it. That’s totally evil! So it's not like we started it!"

John perked up. "Cause its revenge? It’s self-defense?"

"That's it!"

"So it's not wrong because they did it first."

Chris nodded. "You see, our whole country is doing that. And Christopher Cruner attacked us for no reason. So we're gonna take care of it, right guys?"

Andrew clapped John’s shoulder. "It's what everyone thinks, John! They’re evil!"

John laughed excitedly. The laughter and excitement twittered through the group. Chris slammed his hands on the table and shouted to go, and they all jumped up and shoved each other with thrilling aggression. The boys pulled on their backpacks, all Jan Sports in different colors, and stared down to the playground. They were going to be like the soldiers in the sweltering Iraqi desert, fighting with noble determination against evil forces. In truth, Chris couldn’t remember why he and Christopher starting hating each other. They only knew he was a bully, in general.


The lunch tables and the rest of the school, pasted with peach stucco and capped by red tiles, were set up on a high mesa. A long shelf of stairs adjacent to the shaded, elongated blue lunch tables drew the boys into the sunken playground. The girls played hopscotch and handball at the courts on the wet smelling blacktop to the left, the towering wooden walls echoing with thudding and laughter. A deserted, sparse and muddy field for soccer flanked the courts on the left, a long chain link fence on it’s left most edge running the length of the field, separating it from a courtyard and portables. That was where Christopher Cruner and his team were, and usually always were. A black iron fence set in a stucco foundation surrounded the entire school.

The boys trotted on the blacktop through the girls at the handball courts toward the basketball hoops and, at the edge of the blacktop, the sandbox. They were certain not to run; running at recess, except on the field, was against the school rules, and being caught by a yard duty would force the boys out of recess. Running was quite dangerous on the hard black top and concrete sidewalks, of course. The yard duties strolled the perimeters of the yard in bright yellow windbreakers, clutching bullhorns and clipboards, a few lanky and tall, one short and hideously fat.

Chris scanned the yard as they trotted. As he’d drew on his map, two duties patrolled around the blacktop and two more walked along the mesa up top, one near the stairs and the other at the planted slope along the remainder of the mesa. With that arrangement, they’d never see their attack at the portables.


They entered the sandbox, slowing to a walk past the arching rainbow bars, monuments in rust and steal. The gymnasium set and the swings at the opposite end were cast in the same neglect. Only the three tiered slide set in green and beige at the center of the sandbox seemed new.

“The sandrocks are over here at that edge.” Thomas pointed. He wiped his nose with the windbreaker.

Chris knelt and picked the sandrocks up carefully. He held them steady, like grenades. “Ok guys. There’s enough for all of us to have three. Take these. Set ‘em in your pockets” he held his hands out with two for Andrew and two for John. They were chattering back and forth in some gibberish talk, tickling and punching, laughing. Chris gave one pair to Thomas instead. “Guys. Come on. Are you going to do this or not?”

Andrew stopped. “Oh, yeah, hurry up already and give me those things.” He took them greedily.

Chris looked away from the pair. “Ok. Whatever. Why don’t we do this, guys?”

“Do what, Chris Kandmin?” The voice was girly shrill.

Chris turned toward the rainbow bars. Jamie Higgs, stuffed in a pink dress and pink tights, swung her legs from atop the rusty arch. Chris squinted at her. She looked like a horse with blonde pigtails and Chris would never like her.

“Why do you want to know?”

“You gonna beat up Christopher Cruner?”

“No.”

“Maybe you should! I hate that stupid idiot.”

“Well that’s what we’re not gonna do. Because we’re gonna play basketball. We’re not beating up Cruner today.”

“Why don’t you? Do it for me, pleaaase?”

The boys all shook their heads. Except John. “Yeah, we are! That’s why we’re even over here!”

Jamie jumped down off the rainbow bars. “I knew you were gonna beat him up! I’m gonna tell! I’m gonna tell them all!” She swung around towards the slide set. She cupped her hands around her mouth and sounded a high, whooping coyote call.


In an instant, Christopher Cruner jumped out from the shadows beneath the slide, Phil Ream and Simon Canan following suit, yelping calls in return.

Chris stared at Jamie in dismay. “When did you join their team?”

She only shrugged, and smiled.

They trotted towards the boys, kicking up the sand. “Well well well,” Christopher Cruner laughed, “if it isn’t Chrissy Kandy come to beat us up, huh?” He stopped and set his hands firmly on his hips.

“My name’s ‘Christopher,’ and that’s what you’re gonna call me, got it?” Chris shot back. The boys were in the same class and the truncation of Chris’ name was a major point of contention; in the syllable clapping lesson, ‘Chris-to-pher’ was worth three syllables. ‘Chris’ was worth only one.

“What every you say, Chrissy. Wow, temper, temper!” He chuckled. Phil and Simon walked with strained nonchalance, Phil whistling, to either side of the group of boys. They were being flanked.

Chris glared at each in turn. Christopher Cruner was just taller than him and a bit thicker, but, always to his dismay, had the same wavy blonde hair and the same thin features and light eyes. Though Chris’ eyes were an astonishing grey and Christopher’s much flatter, some people mistook them for brothers. Christopher generally wore the same grubby, green and red argyle sweater day in and day out.

He glared at Phil, still whistling something stupid and out of tune. Phil was paralyzed with nerdiness; the thickest bottle cap glasses, the blandest polo shirts and styleless brown hair. Chris may have felt bad for him had he not allied himself with Christopher. At their left flank stood Simon, perpetually grinning and squinting. He was rail thin and looked like a deprived hamster by way of his teeth. Otherwise, he was utterly forgettable and seemingly existed to serve Christopher.

Christopher pulled a tootsie roll pop from his pocket, unwrapping it and stuffing it in his mouth. He crumpled and tossed the wrapper at the boys. “You’re just gonna stand there.”

“Well, ok. I have an idea. How about this. Even though I bet you don’t even know how to play chess—“

“Yeah I do.”

“Well, ok. I have a board right now that I got for my birthday. Now I’m eight. So let’s play right now and see who wins.”

Christopher tisked. “Know what? I know how to play. I just don’t feel like it right now.”

“Yeah right, liar. That’s what all liars say when they don’t really know how!” The team of boys laughed.

Phil pointed at Chris. “Ha, you’re the liar, fool,” he began in his weepy, nasally whine, “betcha you don’t even got a chess board, and it’s dumb anyway if you did.”

Chris stepped forward. He clenched his fists, grinning. “Ok. Well how about I show it to you, Philly—“

“You stop right there!” he whined. “We’ll charge all you if you don’t keep still and where I can see ya!”

Chris ignored the warning, turning his gaze to Christopher. “I’ve got a better idea—“

“No you don’t!”

“Yes, I do,” he continued, speaking with clear confidence. His chest tickled with anticipation. “I’ve got one. How about, ‘fuck you!’”

Everyone gasped. It was a stunning, powerful statement. After that, they knew Chris was serious. He had secretly planned using it. Andrew and John squealed with laughter, and Andrew threw his finger at Christopher. “Yes, fucker!” Their laughter was uncontrollable.

Christopher turned bright red. At home, he’d heard the word spoken to him before. His teeth clenched like his fists. “No!” he screamed, “you can’t say that! You can’t even say that to me! Now I’m telling! We’re going to tell— Simon!”

Simon turned, grinning, and dashed alongside Jaime for the yard duty across the blacktop.

Andrew and John stopped laughing. “Yard duties! Yard duties!” they whispered hoarsely. In a second, they started away, trying their best to look like they were only passing by. Chris noticed Thomas from the corner of his eye slipping his hands into his jacket pockets for the sandrocks.

Christopher laughed manically, doubling over, and Phil smiled. “Stupid! You thought you had friends! What are you gonna do now?”

Chris whipped his hands from his pockets. “Thomas!”

They hurled the sandrocks at Christopher. Sandy explosions popped on the argyle. His arms flailed in front of him.

“Ohhhh!”

“Ohhh!” Chris and Thomas yelled.

Phil lumbered forward in a surge. “Chaaarge!” he squealed, skipping and trotting off kilter. Christopher only watched him, brushing off his sweater.

Thomas calmly stepped forward and slugged Phil in his soft stomach. He tumbled back into the sand, his breath leaving.

Christopher ignored him. He set his hands back on his hips “Ha! Nice sandrocks, loser, that didn’t even scare me!”

The distance between the two boys closed. At the edge of the blacktop, Chris could see the yellow-jacketed yard duties the size of ants growing as they approached. He looked back to Christopher, glaring into his eyes. “What are you gonna do about it?”

“What are you gonna do about it?”

Chris stood face to face with him. He could smell the stink of his rotting mouth. “Why don’t you push me?”

You push me!”

“You won’t because you’re afraid!”

You’re afraid!”

“Then you do it first!”

“Because I don’t feel like—“

Chris chomped his teeth in Christopher’s face. Christopher instinctively pushed him away.

“You pushed me! You pushed me first!” Chris was empowered. Self-defense. He stepped forward, shoving Christopher. They shoved simultaneously.

Approaching bullhorns from the basketball courts sounded angry klaxons.

Christopher stepped back. He raised a leg and kicked, but Chris was too fast. He fell into stance and kicked Christopher’s leg as a parry. They kicked simultaneously again and again. Finally, Chris landed a kick into Christopher’s groin. He doubled over in agony.

Chris glanced up to see the yard duties running through the sandbox. He grabbed his knee and wailed, falling into the sand.


He beat up Christopher Cruner.” Jaime said officially.

Chris lay in the dirt, clutching his knee for show. “Oh my God, he kicked me so many times, he kicked me over—“

“Kandmin, I saw what you did,” the tall duty said. She towered over them on skinny legs, her shorts pulled up over her belly. She wore a visor and sunglasses with the yellow windbreaker, and her hair was frizzy and curly and Chris thought she looked haggish. “I saw you throwing rocks and kicking him.”

“No!” Chris shouted back. “Not true! We weren’t throwing rocks! Those were sandrocks, they don’t even hurt, and it’s sand. The rules say you can’t throw rocks—“

The fat one burst in interruption. “That’s enough, son! I was watching you the whole time, so don’t you think you can lie to me for a second.” She took the walkie-talkie from her belt and informed The Office to prepare for two boys.

“Then you saw him kick me, too.”

“Kandmin, and you, both of you are going to The Office. You will meet with The Principal and he will call your parents. The rest of you, get out of here— now.”

The two boys stood up from the dirt. They glared at each other in contempt as the yard duty walked behind them, making their way across the playground up to The Office.


...


Finally, the boys were called in from the waiting room. They entered the open door to his office and took the two seats before his desk, both holding their breath. The walls themselves were bland except for a wall phone and coverings of official looking certificates in frames and photos of relatives lighted by the florescent lights overhead. A small but leafy plant sat on the corner of the desk beside The Principal’s nameplate. The brass plate read “Mr. George E. Halker.” Nobody really called him Mr. Halker, only “The Principal.” He did not greet them immediately, his long, splotchy face turned towards the flickering, green monochrome screen. Chris watched his squinty eyes scan the screen, reviewing their records. He noticed how his crazy receding hair made him look like an egg.

“Alright, boys,” he began in his ponderous, neutral voice. “You’ve both been in here before and I’ve spoken to you both. There seems to be quite a rivalry between you two.”

Chris realized that he must seem as blameless as possible. He focused on maintaining an expression of surprise and fear, his eyes scared and his eyebrows raised. He glanced at Christopher and saw he was doing the same, though with less success.

“Because this school tries it’s hardest to be fair and what we call ‘unbiased,’ which means not having a point of view” The Principal explained to the children, “I like to look at things from all possible angles. We need to keep things fair.”

The boys nodded.

“So, what I’d like you gentlemen to do is alternately relate today’s events to me, going one at a time, switching off between each statement, and you may only say what you did and not what anybody else did. Let’s begin with you, Mr. Kandmin.”

Chris looked at The Principal inquisitively. “Uh… really, I don’t get what you mean.”

The Principal was a patient man. “Alright, Chris. What you’re going to do now is make a statement, in one sentence, relating the beginning of this story. Mr. Cruner will then give his sentence, the next thing that happened, and then you will give yours, and he will give his, and so on. You will only say what you did and not the other. Alright?”

“Ok.”

The Principal smiled. “Great. Why don’t you start us off, Mr. Kandmin?”

“Ok. So, I hung out with my friends at the lunch tables and we talked.”

They looked to Christopher. “Well, we hung out in the sandbox and played on the slide.”

There was a pause. Chris thought and said, “And then we talked about Michael Jackson.”

“We went to the rainbow bars and played there.”

“We decided not to play soccer because it was muddy and—“

“Uh, gentlemen, actually,” The Principal interrupted quietly, “why don’t we actually pick it up where you two met each other for the day just before the fight. Alright?”

Chris thought over the situation. He realized that since they need only relate what they’d done themselves and couldn’t accuse the other, this was a great time to force Christopher into saying something horribly foolish. “So. My friends and I saw Christopher at the rainbow bars.”

“My friends and I came to say hello to Chris.”

“I asked if he— if Christopher— wanted to play chess with me.”

“I said I didn’t and…” he fell off awkwardly.

“I asked for Christopher to call me ‘Christopher’ instead of ‘Chris’ or ‘Chrissy.’

The Principal raised an eyebrow at Christopher and anticipated his next statement.

Christopher squinted, his brow tightening. He was unsure how to win this game. “He… I… came close to him and told him and Thomas Toma to leave Phil Ream alone.”

Chris squinted as well. “I… asked him not to come so close.”

“…I said, I said something like, like ‘Chris stop picking on him, don’t pick on him all the time’ and,” he audibly swallowed, “and, then, I pushed him away from me because he snapped his teeth at me.”

Chris felt relief open up his chest. He knew what to say. “Then I pushed Christopher back in self-defense.

The Principal looked to Chris and nodded.

The burning redness returned to Christopher’s face as he realized the turn in the ping-pong match of words. “I… said, I said something like— I mean, then I kicked him back, in self-defense.”

“I kicked his kick away in self-defense.”

Christopher snapped in frustration, “then he kicked me again!”

“Now Mr. Cruner,” The Principal said, holding out a long, splotchy finger, “that’s not how we are intended to conduct this. You need only state what—“

“He totally attacked us and threw rocks and said the ‘f’ word!” His voice went high with hopeless rage. “I’m telling the truth! I sware to God!”

The Principal held his long hands up softly. “Mr. Cruner, gentlemen, I think we’ve heard enough here to piece things together, don’t you agree?”

“Yes, yes I agree, Mr. Halker.” Chris said quickly. He looked over at Christopher, watching him sink back into the seat with hate and zeal, his eyes narrowing and his mind already washing over his revenge.

But Chris didn’t mind. He looked away, satisfied and content, that justice had served him well and the day was won. The war with this bully and his colleagues wasn’t over, and it wouldn’t be for two more grades, but for the time, things were right.

“So, that settles things, gentlemen.” The Principal put his palms flat on the pinewood desk. “I believe I can make a decision based on these statements. Clearly, the truth is that you two are terrible rivals. However, Mr. Kandmin, you seem to be trying to make peace, and Mr. Cruner, you seem to also be trying to make peace and speak in a civil manner. Things got a little, how might you say… out of hand, and Mr. Cruner, you simply lost your temper. Mr. Kandmin, you acted in self-defense, and things escalated from there.”

Chris nodded with quiet satisfaction.

“Right. So. All of us need to take something away from this. We all need to treat this as a learning experience.” The Principal turned to the computer, and then looked down at the keyboard, alternately hunting and pecking for keys and glancing up and squinting at the screen. “Considering everything, the self-defense and all that,” he said absently, focused on typing, “what I’m going to do, first, is speak to each of your parents. I think trash pick up for both of you is suitable.” He continued typing.

Chris welled with confusion. “Wait! Hang on! But I thought you said I was in self-defense. Why do I have trash pick up?”

The Principal stopped typing and looked over at Chris. “Why, to be fair, of course.”

Christopher withheld his immensely satisfied grin having snatched victory from the jaws of defeat.

“Now, Mr. Cruner, could you please wait outside my office while I speak with Mrs. Kandmin on the telephone. I’ll speak with your mother afterwards.”

Chris watched as Christopher stood up and walked across the room, smirking at him, his chest out. A great heat evaporated from the room as he left, and in his absence, it seemed airless and void.


The Principal scanned the computer screen, then turned and lifted the receiver from the wall phone. Chris’ stomach turned over and over in knots and knots. The Principal was calling his mother and there was no way out of it now.

He fixed his stare to his black high-tops while The Principal dialed the number and waited.

“Hello, Mrs. Kandmin? This is Mr. Halker from Gran País Elementary School… yes… well that’s what I’ve called to inform you of, Mrs. Kandmin. It seems they had another fight today and I’ve spoken with both of them. It seems the boys were trying to communicate when things got out of hand, and your son acted in self-defense, and consequently… oh, well, Mrs. Kandmin, I’d hardly call that, fighting in general a good thing—“

Chris could hear the squawky phone voice of his mother rise in intensity. The splotches in The Principal’s face faded as it grew evenly redder. His eyes widened.

“No, Mrs. Kandmin, bullying is definitely not an acceptable thing, but that’s… ok… yes I understand your concerns, and while that may be the case, we are not— we are not in the position to judge what… well I suppose we do in that respect, then. Any authority must. But self-defense is still considered…”

The distorted, unintelligible voice on the other end fired a tirade into The Principal’s ear. He looked down absently at his desk. After some time, the voice ceased.

“…alright, Mrs. Kandmin. I understand. I, uh, thank you for speaking with me.” He quietly set the phone back on the receiver, rubbed his eyes for a moment, then looked back up at Chris. “Listen. I want you to go back to class now.”

“What about trash pick up?”

“There will be no trash pick up. However, I need to stress to you that you need to stay away from Christopher Cruner and Phil Ream and all of those boys.” He sighed deeply and returned to hunting and pecking on the keyboard. “Because I really don’t want you in here again. Understand?”

“Yes.”

“Right. Get a move on.”

Chris stood up, his eyes bright with amazement for his mother, and he walked out of the office into the courtyard and ran back to class.


...


For the kids in second grade and over, like Chris Kandmin, Tuesdays and Thursdays and rainy days were different. If it wasn’t rainy enough to produce a significant hazard to the children, that is, rainy enough for many puddles to slip in, recess would take place in the park up beyond the portables and the rest of the school.

The park was a park in its own right, not restricted for use only by schoolchildren, and thus featured a massive, sunken baseball diamond with the outfield meeting the street, three full tennis courts with the high fences and tall hedges around the edges, and the playground sandbox in between. There were few trees scattered among the grass, all of them skeletal and towering. Beyond the playground, the tennis courts, the baseball field, was the rest of the park that was off limits, all rolling, hilly green grass dotted with stone lunch tables. No visible barrier restricted them from the rest of the park; only the patronizing, protective comments from yard duties and The Principal. Beyond the park and the street around it, rows of suburban houses lined the street and the cliff on the other side, a looming mountain vista beyond, obscured by the clouds.


Chris Kandmin and Thomas Toma huddled together beneath the stone building at the park entrance that housed the restroom, stone, rectangular planters all around it. The drizzle came down in a flowing veil around them, larger drops falling off the eaves of the building. Both boys were zipped up in their jackets, Thomas in the crummy windbreaker and a hooded long sleeve shirt beneath it. Their hoods cast shadows over their faces.

“I can’t believe nothing happened to us the other day,” Thomas laughed. “We really could of gotten busted. We could of gotten expelled.”

Chris nodded. He stared at a group of girls huddled together beneath pink umbrellas, laughing hysterically and pointing at different kids.

“Say, what did your mom do when you got home? Was she even mad?”

“No way,” Chris said, smiling, “she even yelled at The Principal. He was almost crying!”

The boys laughed. “Yeah right, he wasn’t crying.”

“Ok. He wasn’t. But I bet he wet his bed later. I bet he always does it.”

They kept laughing, Thomas punching Chris’ arm.

The drizzle fell without end from the opaque sky, a solid fog beyond them seemingly without dimension. Chris let his eyes stare out into the drizzle, and every now and then, his eyes would lose focus from the rest of the world and he would notice the individual sparkles of water drifting through space, shining like stars. He realized, too, that the imperceptible fog must have been made of an unimaginable number of those sparkles, drifting around. Where did they come from?

“Thomas,” he began quietly, “where does all the world come from?”

“What do you mean?”

“Ok, I mean, this rain and everything. How did it get here?”

Thomas thought for a moment. “Well, remember in class, Mrs. Gautner talked about that ‘water circle’ thing. You know, it’s in the ocean and the sun makes it steamy, like in the shower, and it flies up to make clouds.”

Chris thought about the steam and the hot showers and baths. “But wait. How come steam comes from a hot shower even though it’s water? There’s not even the sun there to do it.”

Confusion passed over Thomas’ darkened face. “Yeah… I don’t know.”

“Ok, what if it’s ‘cause hotness is what does it. ‘Cause the sun is hot.”

“It’s way hotter than water.”

“Yeah. But, you know,” Chris said, “what I really asked is more like, why is everything here to start? Like, how did water start?”

Thomas nodded. “Well, my dad said God made everything.”

All of the memories from kindergarten at a Christian elementary school came back to Chris. “Oh, right,” he related, “He made it in just a few days.”

“Yes.”

“But how?”

“What?”

Chris shrugged with confusion. “I mean, how did he do it really? Did he use his hands? ‘Cause, God is a man, right? He made us like him, right?”

Thomas nodded confidently. “Yeah. I remember them saying at church he made us like him.”

“Ok,” said Chris. He stared back into the rain. He thought for some time. “Does it mean God feels and acts like a person?”

Thomas stared out into the rain for a while. Finally, he nodded his head with certainty. “Yes. He must.”

“Hang on, Thomas, look,” Chris pointed out near the baseball diamond. Phil Ream stood alone on uneven footing in the soggy grass, talking to himself, shaking and pulling at his black, nylon umbrella. Resentment slowly boiled up in Chris’ veins.

“I don’t know, Chris. Maybe it’s not even worth it. We almost got busted last time.”

“Ok. But we didn’t,” Chris shot back reflexively, “and another thing, we almost got in trouble ‘cause of him.” He felt secure in his quest against Christopher Cruner and his team. He knew Phil hadn’t caused them trouble directly. But he also knew, without any doubt, that Phil was a henchman of Cruner’s terrifying reign. The feeling of action was irresistible, regardless of its origin.

“Yeah, that’s true.”

“Ok. I’ve got an idea.”


Phil gripped the umbrella tighter in his fist as he saw the boys approaching him. “So, it’s Chris Kandmin. Betcha you fools didn’t learn your lesson last time.”

Chris shoved his hands in his pockets. “No. I didn’t get a lesson. I didn’t get in trouble or even get trash pickup.”

Phil snorted and shook his head. “You shoulda. That principal don’t know what he’s good for. Guys like you think you own the place.”

“Well, I’m just defending myself. You and the rest of Christopher Cruner’s team have attacked so many times—“

“And you,” Phil interrupted, “Chris Kandmin, yourself, have attacked for no reason before too. You’re fools, you and Thomas Toma and all the rest.”

Thomas pulled his fist from his pocket, walking forward slowly, but Chris put a hand on his shoulder. “No. Hang on. It’s not what we’re doing anymore. ‘Cause Phil, you’re right. You know?”

He squinted his eyes and gazed at Chris through the bottle cap glasses curiously.

The temptation of peace was alluring and Chris knew it. He pressed on. “Ok. This is what I think. Why don’t we make a ‘peace treaty,’ and you put your name on it, then we can stop fighting the rest of second grade. Do you even know what that is?”

“Of course I know what it is!”

“Ok, good,” Chris said. He himself had learned the term from a complicated game he watched his dad play called Civilization. “So. You come with us, follow us over to the playground, and we’ll make the peace treaty. I have paper in my backpack.”

“I don’t know.” Phil’s face slackened, his brow lowering. He looked at the grass for a moment. “You really think I’m right?”

“Well, yeah. Think so.”

“…Ok. I’ll sign your treaty.”


The boys made their way over the wet grass towards the park’s small sandbox with its slide and two-tiered platform and two swings, all faded and distressed. The sand was muddy and dank, but there was a bench beside the sandbox where they could sit.

Beneath the slide platform was a deep hole; day in and day out, boys and girls dug as deeply as they could, the hole eventually filling with water at the bottom. There was no rationale for digging the hole. It existed, and before it existed, sand existed, and thus it was dug simply because it was fit for digging.

“Hey you guys,” Phil exclaimed, “whatcha guys like when you’re done with homework?”

“Huh?” Chris asked.

“I like the Beach Boys!”

“Oh.”

“Maybe we could hang out n’ stuff with this treaty n’ all. And we could be friends.”

Chris was silent. His lip tensed and he glanced off to the side. “Yeah.”

They arrived at the muddy sandbox and stood at its edge. “Ok, Phil. So now we’re gonna sign the peace treaty. I have it in my backpack.”

“Now wait just a sec’. I thought you said you ain’t made it yet?”

Chris’ heart pounded. He glanced over his shoulder and laughed. “Oh! Did I? It was a mistake, you know. But listen. Come with us over to the slide, and um, I’ll show it to you. ‘Cause nobody can see it.”

Thomas glanced silently at Chris and he nodded their faces shadows beneath the hoods.

“Now you wait a minute! You’re making me go in the mud!”

“That’s it!” In an instant, the boys lunged forward, seizing Phil by either arm. The adrenaline exploded in their chests. With all their will, they pulled him towards the slide set, the watery pit beneath it.

He squirmed and thrashed in their grips. “Liars! You liars, you tricked me!”

“Sorry,” said Chris, “you’re on the wrong team!”

“No I’m not!”

“You are! You’re always with them!”

“They don’t even like me! I hate him!”

The boys shoved him down at the edge of the hole. He scrambled in the mud to his feet, struggling to find balance.

Chris, scowling beneath the wide hood, pointed at the hole. “Get in there.”

“No! I won’t, fool, you have to fight—“

Chris threw his backpack off his shoulders and across the sandbox. “I told you to get in that goddamn hole you shit bastard!

Thomas looked at Chris. The verbal onslaught shocked all the boys, including Chris himself. He glanced over his shoulder. Nobody was paying attention.

“Cut it out Chris!”

“No! I have to stop you! Look what you people started! You all started this!” He shoved Phil into the hole. “Pull it in! Bury yourself!” He fell on his knees in fury, thrusting great heaves of mud back into the hole.

A klaxon echoed. The tall one was at the bathrooms, jogging towards them.

“Chris! We need to run for it, now!”

Chris ignored him, hurling mud in handfuls, Phil slapping and thrashing and topping his lungs with screams of attrition.

“Chris! Run, now!” Thomas sprinted from the sandbox toward the baseball diamond. He slipped on the grass, landing face down. The bullhorn sounded, nearly on top of them.


Blind and gasping, Chris rose. He ran. He ran out of the mud, over the grass, to the stone bathrooms. He glanced. The duty holding Thomas. Walkie-talkie. More coming. He threw himself against the wall, flattened. He fell to the concrete. The duties came up the sidewalk into the park, the fat one and somebody else. Chris crawled around one of the stone planters, the backpacks piled up, and peaked around. They scanned and pointed. One trotted toward the baseball field. One started toward him.

Adrenaline. He crawled on hands and knees along a planter towards the sandbox. He watched over the edge. The duty vanished behind the stone building. He took a breath. His palms flattened against the ground, his feet pulled up. In a single movement, he shoved himself up and sprinted for the tennis courts, snatching his backpack, passing the sandbox, muddy Phil and Thomas away, yards away.

The klaxon sounded. They saw him.

He rounded the corner. The grass pulled from under him. He slid, his feet treading. Clump of grass, caught his balance. Dashed along the hedge, found a break, and finally thrust himself through.

A thousand twigs hissed and snapped on his jacket and sliced his cheeks as he slid sideways between the hedge and fence. The leaves crunched under his feet and rotten bark and dirt invaded his nose. He’d have only moments before they found him. He pressed forward into the darkness.

“Kandmin!” The voice barked over the horn.

He froze.

“Get out here Kandmin! Now!”

He held his breath. Something silky on his fingers. Heartbeat in his ears. He glanced beside him. It’s a spider web.

Footsteps swished through the soggy grass. A shadow passed slowly over the hedge, investigating each section, pondering the shading and the spacing of the leaves, searching for the hidden message. The shadow stopped before Chris.

He closed his eyes as tight as his breath. All was dark. His heart pounded his eardrums. Slowly, the darkness shimmered with red and yellow sparkles. His chest burned and the shimmering in his eyes erupted in fiery sparks, electrifying his fingertips and toes, his arms, his ears and chest and finally, after an age of holding his breath, he let it go, heaving and coughing.


He opened his eyes. The shadow had passed.


The air was dead, but the hedge stabbing into him was living with a thousand crawling souls, and kept him company in the darkness. His legs burned, so carefully, quietly, he bent down, his back sliding against the fence and his knees pressing into the hedge, its countless tentacles digging into his jeans and snapping off. He rested.

He thought nothing, only listened. There were occasional, faint cries of laughter and shouts somewhere out there, somewhere distant and far. There was some distant ring, some kind of bell, and all the voices faded away. And then, Chris heard only the faint simmering of endless droplets of drizzle landing over the twisted network of the living hedge, the waves upon waves of grass, every blade and branch rising up toward the sky without knowledge of reason or blame.


Finally, he carefully made his way back through the break in the hedge. Chris walked out past the courts onto the forbidden grassy knolls, turning to survey the playground and the rest of the park. It was utterly deserted. He turned slowly, scanning over all the vast space around him, unaware of the layers of life crawling upon him, beneath him, around him; all was empty in his ignorance. He felt small and alone, but stood in awe of the deserted park. In his mind, he’d never been so alone.

Zipping up his coat and brushing the leaves away from his hood, he walked towards the edges of the empty space around him, towards the long road home.


I hate to admit that this is mostly a true story.

Sunday, April 29, 2007

Criticial Response: A Needed Vacation (Author Unknown)

Danielle Orner
Student Critical Response # 4
4/29/07
A Needed Vacation Author Unknown (No Name)
I really enjoyed how this story was divided into days and how it followed the experiences of a teenage boy who chose to go off his medicine for a week. The fact that he is hitch-hiking with a different driver on each day adds to the affect of the story. Each set of characters and each new setting out the window allows the story to give the reader tiny glimpses into a variety lives. The characters and their cars are each described well and the action varies depending on the car Trent is riding in. Despite the interesting concept and the compelling structure of the story, I have two critiques.
The first is that the dialogue in the beginning of the story is much too explanatory and forthright to illicit any emotional response from the reader or to create any realistic tension between the characters. People, who are arguing about something important and personal, usually don’t explain their positions well because they are trying to protect themselves and may have a hard time expressing how they really feel. Dr. Jackson, Trent’s mother, and Trent are all too clear in their expressions to be believable as people fighting over a tense issue. Their conversation styles need to vary because now they all sound generally the same. They need different argument tactics to demonstrate their different personalities.
The second is that Trent needs to go through more of a change. The journey and his decision to go of meds for the first time in his life seem to leave him relatively untouched. Both hitch-hiking and quitting meds can be dangerous activities but the story ends up being mild with no close calls or plot twists. I would like to see more happen to Trent as he takes his life into his own hands. The author should keep the structure and premise of the story but flesh it out some more. And, of course, put his or her name on his or her story.

Wednesday, April 25, 2007

Is This the End of Zombie Shakespeare?

Garry’s dad ate people like my dad for breakfast. Garry’s dad was CEO of StayRight International, a company that hit it big when people started looking for a way to keep their loved ones in immaculate condition while they waited for them to un-die. Since you can never tell how long it’s going to take, StayRight made a killing on keeping people in large freezers. They were also able to side-step some of the time-constraint laws involving human cadavers, since the bodies technically became property of an international company, they could be kept for as long as they wanted.

Garry’s dad gets a new secretary on a monthly basis. He fires the slow ones because he is a hot-headed man and the smart ones because he is a bitter man. He hires and fires the married ones just to get on their husbands nerves. My mom was his secretary about five years ago. Garry said his dad would always brag to his buddies when he slept with one of his secretaries. Garry would hear snippets of these conversations: birthmarks, techniques, clothes; snippets of proof of his triumphs. And I believed Garry because every time he told me, his dad would fire another one. My dad worked for Garry’s dad’s dad twenty years ago, then Garry’s dad for the last ten years. My dad sticks thermometers, tubes, and heart monitors into zombie orifices for ten hours a day, but he isn’t very relevant to my life up until now. Garry’s dad loved pranks and jokes, he patted his son on the back, or head, or shoulder, every time Garry mentioned a new feat he had accomplished. Garry’s dad was the one that suggested we go to the zombie theater.

***

The box-office zombie looked at me unconvinced. His lips puckered up like a purple blue volcano. "Suicide," I said, while throwing my thumb back towards the three kids sitting on the steps reading the newspaper together. He looked at the red marks on their necks and nodded, pleased. He handed me four tickets to the noon showing of Gone with the Wind. We normally wouldn't go this early but Garry had guitar practice at five and Sal and Jamie's mom wouldn't let them out past four anyway. I stuffed the tickets in my pocket and took my time walking back towards the steps where they waited. Garry eyes were still rolling over the newspaper. "Any good ones?" I asked. I lean my shoulder into a thin green light-post that in no way feels comfortable or casual.

"Just some nobodies, you know? An accountant, someone's grandma, some guy with a funny name. O-LAU-DUH" He said, while tracing his finger over the bold print. "You never see anyone too important anymore. Except Babe Ruth 'bout two months ago. My dad told me, about fifteen years ago you couldn't go a day without seeing someone famous turning up. Now it’s just nobodies; old women, and angsty teens and all that."

"Except Shakespeare." I add.

"How's your mom?"

"Still dead."

***

We were sitting behind a family of sinkers. The father's neck was broken, but he hid it with a tall-collared shirt and a neck-brace. I pushed my elbow into Jamie's side and when she looks back, I smile. I point over to the child, about five years old, still the color of swamp water. Jamie's mouth stretches into a look of disgust. "Shhh." I whisper into her ear, as close as I can get.

I look around and made sure that none of them noticed us. I could only imagine the anger they would feel if they knew we weren't one of them. Zombies tend to snub their noses at normal people, like they had gone through some great ordeal we couldn't comprehend. They don't make a fuss in public when we gawk at their missing arms, or the holes where an eye or cheek used to sit. If they did, the police would probably haul them off to a crematorium, no questions asked. But this theater was not public domain. It was their place. They could eat pigs brain, or heart, or whatever they ate without people glaring at them (or vomiting). They could laugh when their teeth fell out here.

It was like watching lions on the T.V. At the zoo, lions are fine and good, but they generally tend to loaf around and wait for a zoo-keeper to place a dead chicken in their mouth. The lions in the zoo seem flaccid, bereft of life. But on television, they were natural. They played with each other. Hunted their prey, and gorged on the entrails of what they caught. I was the sheep in lions' skin in the theater. I definitely didn't want them to find out and gorge on my entrails. Garry said his dad had seen them do it once, in the old days, when they first started showing up.

I looked back at Jamie, the faux rope-burn lining her neck, eyes bloodshot, and skin paled with foundation. She looked pretty as zombie. Just as I move in to whisper to Jamie, an arm reaches over and blocks my connection to her, Garry pushes his head back to give me a wink.

***

Everyone slowly shuffled out of the theater. At one point, the movement stopped because someone’s arm and baby had fallen to the floor when the load became too unbearable. Moans were heard in the crowd. It smelled like the paper factory in Glenwood two counties over and the heat was becoming unbearable. Luckily, the man was able to find his arm and baby, and everything started flowing again.

Outside, we all ran down the long staircase. Garry bumped into an old man zombie and it fell with a heavy crunch sound. We kept running until we turned the corner and got three blocks away into the where the human district started. I stood bent over, hands on my thighs, breathing and laughing about the old man zombie, but right when I lifted my head up to give Garry a high-five, I saw him kissing Jamie and so I went back to looking down and breathing.

The three of them kept walking down the main street since Jamie and Sal’s mom’s house was close to where Garry had to go. I waited for the #3 bus to take me to Downtown and the Natural History Museum, so I could finish my school report on Zombie Shakespeare. An old Asian lady was waiting at the bus stop too. She couldn’t have been taller than five feet, and it looked like she was perpetually carrying a heavy load, though nothing was on her back. She smiled at me with a half empty smile. Half her teeth were rotted away, or barely there, the rest were made of gold. When she waved her boney, vein-mapped fingers, I let out a smile and turned away. Sometimes, the living look just as grotesque as the dead.

***

At the museum, Zombie Shakespeare sat on the same wooden desk he used to write Antony & Cleopatra; the desk was shipped in a large wooden box by some fine philanthropist in Prague, and Shakespeare was shipped in a large wooden box from his home of Stratford-upon-Avon. The museum had given him authentic replicas of the clothes he had worn back in his day. The frilly wide-laced collar and red and green striped doublet clashed with his pasty skin. The museum had replaced missing patches of skin with rubber and make-up but altogether his body looked disconnected. The pale tinge of his face, and the appearance of heavy black gloves on his hands to hide his missing extremities made him seem unlike a normal undead-come-back kind of guy.

He never smiled. And when I thought about it, I’d never seen a zombie smile. When they laugh, they open their mouths up and let out distinct HA’s, as if they were trying to yawn, but it kept getting cut off. I thought about Zombie Shakespeare, practicing in front of a mirror, HA HA HA HA; quivering at the sight of his paled skin, pretty clothes, and his fear of the porcelain fountains that continue to go off when he passes by them.

***

“Have you seen any of your plays performed lately?” I ask him.

“Yes. It was Romeo and Juliet, set in America, between The Democrats and The Republicans,” he says.

“How’d you like it?”

“I think they missed the point.” He pauses for a slight second and quickly adds in, “They don’t laugh at venereal diseases as much either anymore.”

“People are sensitive about their venereal diseases,” I tell him.

He looks down at his black, leather shoes and squishes an ant taking food back to its home.

“Do you have any interest to write more?” I say.

“No,” he says.

I imagine Zombie Shakespeare’s life. Going from museum to museum, answering questions for silly high school students who want to date their best friends’ girl. I wonder if he has to eat, sleep, cry, love, think; he certainly does not have to die.

“You ever see Gone with the Wind?” I ask Zombie Shakespeare, putting my pen down.

“HA. HA. HA,” he laughs.

“So you liked it more than the Romeo and Juliet you saw?” I ask.

“It was still about humans.”

Tuesday, April 24, 2007

Critical Response to Ted Basfield's A Gunshot Starts the Race

Danielle Orner
Student Critical Response # 3
4/24/07
Critical Response to Ted Brasfield’s A Gunshot Starts the Race
In his story about a white rich girl desiring a poor black man, Ted writes beautiful descriptions of place and begins to build complex characters with mixed motives. Lila is not the typical star-crossed lover thwarted by her family and society because she is powerful, manipulating, and racist. The sex scene is filled with multiple emotions and is overlaid with social commentary. Yet, Ted’s story seems more like the beginning of something bigger rather than a complete short story. There are so many conflicts that are hinted at but not explained. There could be so much added to make the story even fuller.
As a character, Teddy seems too passive and he easily gives into his role of assassin. I want to know more about Ted’s plans for himself. Does he love Serena or another woman who isn’t using him? Does he actually love Lila or is he just infatuated? Did he ever notice her before that morning? Does he have doubts about what he is about to do? He becomes a killed too quickly without enough motivation. What are his other characteristics? Is he violent by nature or gentle and horrified by the notion of murdering even a bad man? There can be more character back story.
Also, Lila and Ted’s sex scene seems a bit abrupt and rushed for their first encounter. The story would have much more tension if there was a period of flirting or playing with the idea of the big taboo and murder they are about to perform together. Dialogue between the characters could make the encounter more real and introduce more emotions into their act. Insight into Lila’s decision to take these two massive steps could also be interesting.
Also, the reader barely meets Noah Butler around whose murder the story revolves. Brasfield can show more about who Butler is rather than telling the reader. Is Butler really all bad or do people misunderstand him? Is Lila more of the criminal? Brasfield has a wonderful beginning but the story can still be fleshed out.

Critical Response to Mike Ettel's It's a Livin' Thing

Danielle Orner
Student Critical Response # 2
4/24/07
Critical Response to Michael Ettel’s It’s A Livin’ Thing
Although Ettel has an interesting premise for his story, it lacks the necessary build-up for its sensational, murderous ending. The turn of events when the reader discovers Eli has been “fucking dead people” feels forced and unnatural because there is no character basis for the way Eli acts. He doesn’t seem to be psychologically unbalanced until that moment. The foreshadowing of Libbey talking about the death of Jenny and the detail of Eli working in cemeteries are both good but they are not enough to make the ending fit. While it is good to surprise readers, a writer needs to have enough character support and eerie hints for the reader to recollect in order to make the surprise thrilling rather than out-of-the-blue. The readers need a motivation for Eli, even if that motivation is his complete insanity.
Ettel can give the plot twists more depth by elaborating on some scenes and by altering the tone of the story to match the idea that freakish perversions are lurking just below the facades of normal relationships. For example, the reader could discover Libbey’s sexually transmitted disease with her before the argument. This gives the reader the feeling that something disgusting is happening and it heightens the tension. During the scene in the cemetery, the reader could get a quick glimpse into Eli’s mind. Maybe he loves the smell of the dirt and rubs some on his face. Also, Ettel seems to suggest that Eli doesn’t know what he is doing because Jenny seems alive to him. This issue can make Eli a much more complex character if he occasional notices something wrong with Jenny. In other words, Eli can swing in and out of insanity to create tension and give the reader hints that something is happening beyond the ordinary love triangle. Perhaps Jenny can have odd behaviors that worry Eli such as staring vacantly or smelling bad. His fantasies can be strong but not so strong that he doesn’t have any idea that something is wrong. If Libbey’s discovery happens simultaneously with Eli’s, the story will be even more disturbing for the reader. Also, the division of the parts doesn’t enhance or move the story along. The titles would have to be more interesting for Ettel to keep them.
Although Ettel is going for a kind of light horror story, without the changes recommended, it just leaves the reader feeling cheated because there is no background or build up for the events. The reader needs to feel as if they are in the loop but that they didn’t put the clues together fast enough to reach the ending before the characters do. Right now, the characters feel flat and the ending feels contrived. With the some adjustments, Ettel could have a haunting story about the perversions of love and the creep message that we may not know anything about our lovers.

Critical response to "Keeping Daises Fresh" by Julia Kitniski-Hong

I enjoyed this quite a bit. It took on the form of a very detailed vignette that was effective in conveying many emotions on different levels. The narrator of the story seemed disconnected,vacant, and possibly apathetic. I think you did an excellent job of helping the reader to understand the mentality of your narrator. Although i felt this story lacked an essential climax, I felt that it was artfully and skillfulyl done. I would however recomend changing the title because its a tad bit blatant and gives away an important symbol of the story.Were the daises meant to symbolize some type of fraility or innocence? If so, work a tiny bit more on devloping your symbols. Ohterwise you have a great narrator and a solid begining.

Keeping Daisies Fresh

I am honestly stuck with this story that I read in class. Can I have more specific suggestions?

The coffin was lowered into the soft April dirt. I could not see through the curtain of tears that had blinded me. Feelings of surrealism floated about me and I felt as if I were trapped in a bubble of altered time. A determined wind blew in torrents around the grave site, but it seemed like my hair fluttered around my face minutes after the wind had run its fingers through the dark strands. My mother stood sobbing uncontrollably to my left, clenching a worn tissue as if it were a safety blanket that held some kind of reassurance. I could not fathom now where one would find such hope anymore.


The world stopped that day for me, and I suppose it had come to a stand-still for my mother ever since she had found him there. The eternal dripping of the faucet was spilling out the tears that were stuck in my throat. My knees hit the hard tile before I could control myself and that is when I felt the unwavering embrace of my mother. We hovered on the grimy floor and held each other for what seemed like days. The sunflower clock on the wall seemed to drag time like a child slowly pulling a discarded rag doll behind him.

My mother's mouth started to form words, but they were blocked by the deafening buzz that filled by ears.

“What did you say?” I tried to shake the hoard of bees that had filled my head.

“He is wearing the shirt I got for sale at Macy's,” my mother's voice came out of the void. She held his crimson hand limply in hers and muttered something else to herself. Her tear-stained face had a coldness to it that made me shiver. The sunlight came in through the window in chunks, as if we were deserving only of partial light that day, while the situation played out as if we were trudging through knee-deep sludge. I do not know how long she had been there, but her eyes seemed doll-like, just staring into nothingness. The daisies on the windowsill stood strangely erect, as if they were mocking our situation and I had to look away.


An explosion of red filled the kitchen, as he lay on the floor in a frozen expression of agony that day. As if even in death he could not escape the unfathomable pain that had slowly manifested in him over the years. Her mother had been there awhile, just existing on a sea of blue tiles in the kitchen, like a small sail boat lost at sea. All the time in the world just to float.

The phone call came right after I got out of my last class, my mom's name flashed on the screen and I thought she was calling to tell me to remember to pick up some milk or something as equally trivial.

“What do you want?” I struggled to get my car keys out of the jumble of things in my purse. I felt like there was never enough time in one day to do everything.

“You need to come home right now,” my mother's voice sounded like she was five years old and frightened of the dark. It's your father...”


“You forgot to feed the dog yesterday,” my mother called out as I backed out of our driveway. She was in the middle of exchanging the wilted daisies that she had removed from the windowsill with fresh ones from our front yard. As long as I could remember we kept fresh daisies on the ledge near the sink. I was late for my economic class at Northern State, where I commuted to after I failed to get into any decent school.

“Yeah, I know,” I rolled my eyes. My mother was being precisely herself-overbearing. It was a good day for her when she yelled at the mailman, and my sister and I at least once each. Today was a good day for her.


I was three years old when my dad bought my first bicycle for me. It was pink with multi-colored streamers spilling from the handlebars. My mom was doing her residency at the local hospital; where eventually she wanted to be a neurosurgeon. My dad stayed home and looked after Sarah and me, because my parents believed in building a strong bond between their children and not leaving us in the hands of a stranger. It seemed like everyday passed in a blur of finger paint and tea parties.

The only other thing that I remember that day is that after I fell off my bike and scraped my knee, my dad gave me chocolate chip cookies and let me watch three episodes of Sesame Street. He put the bouquet of daisies that I had plucked for him near the rusty hose in a vase on the windowsill. Each show went by faster then I would have liked. I think my dad went upstairs to take a nap, because before I knew it he was back in the kitchen cooking my favorite dish of macaroni and cheese. The church bells tolled six in the distance.

Monday, April 23, 2007

Critical Response to Kelly Muscolo's "States of Intoxication"

Kelly Muscolo’s “States of Intoxication” makes for a very engaging and entertaining read. It is a surprisingly endearing tale of family bonding. I have never read anything on the subject of marijuana before that sounded so, well, sweet. I also like how episodic the story feels. It takes the reader from the narrator’s experiences in high school all the way up through her time in college and never seems to drag (pun intended). The story is loaded with great, specific details, my favorite being the “giant psychedelic fairy blooming from a water lily.” These details really help to authenticate the story. The humor is another one of the story’s strong points. The use of percentages in the second paragraph and the father’s reaction on the phone in particular are good for a laugh. The narrator’s voice is pretty strong in places, but I would go even further with it and bring more of the narrator’s own unique language into the tale. I’m referring to the places where she says something like “man” or “ohmigod.” These seem to stand out right now. If it doesn’t seem feasible to work more such phrases throughout the story as a whole, then I might actually remove them altogether.
I do have an issue with the way the story opens. It isn’t immediately clear what the narrator’s home situation is. As the story unfolds, this becomes more clear, but perhaps there is a way of making this more immediately known to the reader. For instance, when she refers to her “lesbian mother” I wasn’t sure if this also meant her biological mother. I also have an issue with the opening line: “The first time my parents found out I had been smoking pot, the shit hit the fan.” Aside from the fact that this line is a cliché and doesn’t immediately grab the reader, the opening sentence also doesn’t truly reflect the moment in the story in which the narrator’s parents discover that has been smoking pot. We are told that there was yelling from the mother and crying from the narrator, but we don’t really get a sense of the gravity of the scene––and furthermore, the father is perfectly okay with the idea. So the shit doesn’t really seem to be hitting the fan. At least not that hard. I would change the line somehow or remove it from the story altogether.
I also have a few thoughts on the ending. Similar to how the father’s stories are largely entertaining throughout but peter off toward the end, “States of Intoxication” could use a more satisfying finish. Like the narrator, I was expecting something as grand as a gunfight after all of that talk about the mafia. But there was no slam bang twist at the end. No impending danger on the horizon. In all fairness, I do see how such an ending would actually detract from the overall tone of the story. It would go against the whole idea of releasing oneself from the cares of the world and becoming lost in a hallucinatory stupor. The best ending for this story probably is one in which absolutely nothing happens. However, I would like to see more done with the “nothing” of the ending. The father’s comical aside about not telling the stepmother doesn’t seem to be enough to cap off the family bonding session which has just taken place. Perhaps an introspective moment on the behalf of the narrator, one in which she reflects on her new attitude toward her father and maybe life in general, would provide for a more satisfying conclusion. I also question how well the tale concerning the family’s ties with the mafia gels with the rest of the story. It seems a little out of place and because nothing particularly important is done with it, I wonder how necessary it is to the rest of the story. But overall, this is a well-done story and is in a good place for future revisions.

Critical Response to Casey Black’s “How to Solve Your Child’s ADHD Behavior”

This story is highly charged with opinion, clearly protesting our culture’s misguided inclination to over-medicate its children. It is in the imperative mode, the narrator addressing the reader as the parent. The narrator has a very matter-of-fact tone in directing the parent-reader to do ridiculous, insensitive things like: “turn the radio up loud enough to drown out any noise from the backseat.” This gives the piece a tone of acidic sarcasm, which has a nice effect when contrasted with such poignant moments as the parent being manipulated by the doctor, or the “flash forward” to the child’s suffering over the coming years. This combination makes the story angrily outspoken without its being preachy or heavy-handed.
Casey has a really nice way of weaving precise details and description in with the imperative narration, making the story very immediate and interesting. The reader is more inclined to visualize, to feel, what it is like to take the child to the doctor’s office because of the exact descriptions of action that are given: “keep a hand on him to prevent him from doing anything unpredictable such as banging his right hand against the office door labeled ‘Law Office of Sam Redding.’” The details are minute here, down to which hand the child slaps the door with; in no way are these details necessary to the plot, but they are necessary to the effect of the story, in that they make it intimate, place us in the situation. It is removed from the realm of a typical “visit to the doctor’s office story” by these specific, idiosyncratic details—rather than hear about the doctor’s white lab coat, a characterization we’ve heard and read a dozen times, we get the name of the lawyer who practices in the same office complex. Now, it is a “real,” unique story.
There are a couple of weak points in the story. (For a nitpick, there is one sentence where the second person voice is broken and becomes first: “if you are like me when I am nervous.” That one little clause completely pulls the reader out of the story during the tense climax, leaving them to wonder: “Who’s ‘I?’” Take it out!) One is when the doctor is painting the picture of horror for the parent, describing their child’s future as one of inevitable failure and even prison time. The sort of exaggerated manipulation by the doctor is good, but the parent’s reaction could be stronger, instead of just “calculating what the doctor’s words imply.” The narration puts me in the character of the parent: I want to know exactly what the doctor’s words make me see, in my mind’s eye. I would have liked a vivid description of picturing “my” child holding up a convenience store, or dealing drugs with his gang… something that really would send the supposed “shiver down my spine.”
The other weak point is the ending—the rest of the story is so strong, in that wonderful habit of description, in its sensitivity to the child and the sense of anger over the injustice—that the ending really needs to drive the thing home, and it doesn’t. We get the consequences of this terrible decision in only four sentences that read like a laundry list of side effects, and it’s not powerful enough. The ending could be expanded and vivid details picked out, to sort of linger in the terribleness of what this child has to go through in the coming years. Did the boy used to have a really great, infectious laugh that is never heard around the house anymore? Did he love to swim, but his gained weight makes him too lethargic to enjoy the water anymore? We really need to feel the pathos of what happens to this boy, so that it will extend the pathos of the parent’s guilty feelings and “good intentions.”
Other than that, it was good read—it is sad, funny, chilling, and makes quite the strong point about just how crazy it might be to medicate the “craziness” of our kids. Nice work!

Sunday, April 22, 2007

It's a Livin' Thing

It's a Livin' Thing

Part I. Her

There was the hum of her Sony DVD Player changing tracks and then the opening chords of ELO’s seventies pop masterpiece “Livin’ Thing” striking up from the bedroom. Libbey toed open the bathroom door, her hands busy spooning into her mouth vanilla yogurt with granola clusters. She bounced down the ten feet of hall to the kitchen, still dressed in her gym shorts, legwarmers and terrycloth headband––strawberry hair still done up in a ponytail from her workout session some twenty minutes before.
Her hamster Neville was scampering about in his purple plastic exercise ball. His little rodent nose twitching inside, little eyes darting about as he drove himself into table legs and the wooden railing blocking off the cramped apartment stairwell.
She stuck her head down to look in at him and she sang, “Hey Neville, it’s like magic! You got it?”
Stuck on the yellow fridge door by kitschy ‘Happy Bunny’ magnets were photographs of her childhood back in Aurora, half a country and half a lifetime away, and the first article she had ever written for the Queens Gazette. There was also the faded photograph of her grandmother sitting in her favorite chair with her terrier in her lap and her big-lensed glasses on her face. It was held in place by the magnet which read “hey suck a butt.”
Libbey laughed out loud as she noticed this. She twisted back and forth in front of the counter, shaking her butt at the wall, then took up the carbon steel kitchen knife to start dicing vegetables for the salad.
She was feeling even more chipper than that British Orbit gum lady from the commercials. She had finally found someone she could be happy with. Four years at NYU and the boys there had all been self-indulgent pricks just looking to get their rocks off in between tournaments of Halo 2.
But Eli was different. Eli was a musician, the bass player for an 80s revival band that played gigs in the city. “Revenge of the Living Dead,” they called themselves. He was moody and he dressed in black turtlenecks all the time. He carried a leather-bound diary on a chain on his belt and he never let anyone see what was written inside. But he wrote down bits of poetry and his soul in there, and she imagined he drew illustrations of her in there, too––something to pass the time during those lonely rides on the subway at night.
From her library of John Hughes movies she had selected The Breakfast Club for them to watch that evening. It was one of her favorites and it was one she hadn’t watched with Eli yet. She couldn’t wait for him to arrive. She would pretend she was Molly Ringwald and Eli would be her shaggy-haired Judd Nelson.
She bobbed her head up and down, whacking down the knife in rhythm with the music. The song was nearly over. She wasn’t sure what was up next. Maybe something by April March or The Rubettes. But before she could find out, she hopped into the bedroom and hit the back button to play “Livin’ Thing” all over again.

Part II. Him

In Astoria, late September was when everything started to die. You could feel it in the air. You could sense it in the leaves growing crisp on the trees and the way the evenings were getting more and more crowded by night.
He climbed the brick steps and rang the buzzer. Busy kitchen sounds were coming from inside. He pushed his chin down into his scarf while he waited. Something he never understood was why people were always telling him he looked like a Beatle. Like George. He chalked this up to his mop of brown hair and his bushy eyebrows, but in his own eyes he thought he just looked like Eli.
“Just a minute!”
He took in a cold breath of air and looked back down the street to the platform he had walked over from. He told himself he wanted to make this work. Libbey was the first person he had dated seriously since he had moved to New York three years ago. His band had been working a gig in the Upper East Side when a writer from the Queens Gazette came to put them in the paper. The place was all blue mood lighting and fog machine discharge and they were doing a cover of Joy Division’s “Love Will Tear Us Apart” when she entered. It was like a bad scene from a bad movie from the early nineties.
Footsteps flooding down the stairs now.
The door sprang open and she greeted him warmly, throwing her arms about his waist and hugging him close. He put his lips necessitously on the side of her neck for a moment. Her skin smelled like fruity candles and also like she had gotten some sun lately.
After dinner they retired to the couch with Miller Lites to watch The Breakfast Club together. Eli really couldn’t stand Miller Lite, but it was all she ever packed the fridge with. He would much rather have been drinking Stella, even though he knew she hated it.
By the time Simple Minds had stopped playing over the end credits they had turned the couch back into her bed and were making love to the soothing sounds of late night traffic passing through the borough. The menu screen came up again and she fumbled through the sheets to find the remote, then slid her finger to the ON/OFF button and killed the TV with a click, and they were left in darkness while he worked himself into her.
Nothing was said in the wake of their rapture. He breathed in deeply the cool air of the apartment and she settled her head down on his chest and pressed her eyelids gently shut. For awhile they lay there together, resting, and when he was sure she had been taken by sleep, he climbed out of bed and seated himself on the edge of the wicker chair beside the barred window. The pale streaming lights of the street washed over his naked body.
He gazed out at the intersection and watched as a man in a hat and an overcoat crossed to the opposite side. The city was never truly empty, never truly asleep. There was always at least one person up and about, performing some deed in the night. There would always be restless bodies and restless minds. Always and forever.
He wondered then what he was doing sitting there beside a frigid heater with the paint peeling off and watching strangers move about in the night. What was he doing in that apartment even? What was he doing there with Libbey? She was an incredibly sweet girl, there was no denying that, but he felt such a terrible disconnect when he was around her. He felt empty, wasted––like a serene forest left unvisited.
He tried to rationalize that she was an artist like himself, but she was media and that was different. Her craft was forged by guidelines and deadlines. Not by freedom of the mind, but by set fonts and formats––the body of her work built on an inverted pyramid with just the facts.
There was the sound of sheets being gathered somewhere behind him and then light footsteps falling on the floorboards. She settled her chin down on the crook of his neck and his shoulder and she pressed the warmth of herself into his back, only the bedsheet between them.
“Can’t sleep?”
He shrugged his shoulders, said nothing.
“Me neither.”
She traced her index finger slowly down the vertebrae running along the back of his neck.
“I saw someone die this weekend,” she said.
He raised an eyebrow and half-turned his head to look at her, but couldn’t. He could only smell the Neutrogena in the hair spilling over his shoulder.
“It was horrible. There was a motorcycle race I had to cover on the old Long Island Motor Parkway. This man Vanderbilt used to hold races there during the early part of the last century, but they banned all of that when spectators got killed multiple years in a row. I guess they’ve only just recently opened a section of the road for racing once more––and now it’s happened again. Another dead. This time a racer.”
Eli looked back out the window again. He could feel her heart beating against his spine.
“There was a priest who blessed the bikes beforehand, but it clearly didn’t do anything to help. It was just horrible having to watch it happen. It had me so frightened, I didn’t know what to do. I just stood there and watched. I just watched as the people came running out with first-aid. But you could tell from the crash, you could just tell no one was walking away.”

Part III. Them

Rotting, wilted flowers were drooping from the vases attached to the marble doors of the crypts inside the St. Gabriel’s Chapel Mausoleum, one of eight such entombment structures located on the grounds of St. Michael’s Cemetery.
For someone whose job it was to pick flowers indiscriminately, Eli was paid remarkably well. Most people, he figured, weren’t too keen about doing janitorial work, and there were probably even fewer who were keen about keeping house around the dead.
About a week after they had met, Libbey had asked him why he chose to work in a mausoleum and he replied, “You meet interesting people there.” She had laughed at this then, but when he didn’t smile also she fell silent and the subject never came up again.
He pulled a clump of pungent-smelling chrysanthemums from a vase and dumped them in the white bucket he held by his side. The only real problem was washing the smell off afterwards. Sitting out there for so many days, slowly releasing their fading beauty to the air inside, these things worked up quite the stench. It would get in his clothes, in his hair and in his skin. The only cure was a hot stream of water and a good bar of soap.
He paused for a moment in the center of the aisle, long shadows falling over his face, and he looked up through the tinted glass of the skylights high overhead. There was a plane moving silently through the clouds. He found himself thinking of Libbey again.
“Excuse me,” she said.
Eli looked down and noticed that there was another person standing beside him now. She appeared to be roughly his own age. Her hair was short and brown, sort of a hack-job hairdo, and her lips were red like the Harvest Moon.
“Excuse me, but you’re standing in the way. I just came over to see my friend.”
“Right,” he said. “Sorry.”
He looked to the tomb he was standing in front of and noticed that the flowers in the vase had withered away into sad little things with lowered heads.
“Let me just get those out of your way.”
He snatched them out and added them to the others in the bucket.
“Say, do I know you?” she asked.
“Well, I tend crypts by day, but by night I play various joints with my band, um...” He decided to omit the title. “You might have seen us play somewhere.”
“Yes, that might be it.”
She tapped her finger against her lips for a moment as she studied his face, then she gave a slight shrug and turned back to the crypt she was after.
Eli started down the aisle in the direction of more dead flowers, but after a few steps he found himself slowing to a crawl––and he wasn’t entirely sure why. His legs had simply stopped working. The bucket grew heavy in his hand. He felt his stomach tighten, felt himself growing hard inside, and he realized what it was. This girl was the most exquisite creature he had ever seen. He knew this was hardly the place for flirtatious behavior, the sheer blasphemy of it all would make his dear mother’s head implode, but he simply couldn’t walk away from her now.
He set the bucket down and turned back to face her.
“I know this might sound forward––and weird––but would you like to, you know, get together for a drink sometime?”
She looked over at him and she smiled, her reddish eyes reflecting the natural light of the outdoors. “Why don’t you take my number?”
He pulled a pen out of his pocket and quickly wrote down the number on the palm of his hand––and above that he wrote ‘Jenny Cardille.’

Part IV. It

After returning to his apartment from a gig he had with his band that evening, Eli spent a sleepless night tossing and turning in his sheets, debating the repercussions of betraying his girlfriend. But he was weak and so he followed up with Jenny Cardille the following day and proceeded to see her the next day after that and the next day after that and so forth until he found himself no longer even bothering to call Libbey anymore. With Jenny in the same room, he would receive a text from his neglected girlfriend, “get 2gether later?” and feeling greatly ashamed of himself for hiding the fact he was cheating on her, he would text her back, “YES,” and he would promptly follow this with an even more important text, “your place.”
This deception went on for a full week and a half until one fateful, stormy night when drenched and shivering and boiling with emotions, Libbey showed up on the stoop of Eli’s apartment.
There was a terrible rattling sound coming from the door. Eli cursed the darkness as he stumbled through the front room, pulling up his slacks and buttoning them closed. He snatched his turtleneck off the back of a chair and yanked it on over his head, then composing himself, he opened the inner door.
“Libbey?”
She looked small and fragile inside of her giant overcoat. Her mascara had run down from her eyes and her hair was plastered wet to her forehead.
“All day,” she said, shivering, “you haven’t answered your phone.”
“Libbey, what the hell are you doing here? You’re soaking wet.”
“I’ll be asking the questions,” she snapped. “This morning I woke up and there was a strange discharge in my bedsheets, so I went to the doctor’s and they’ve had the sample sent to the lab for more specific results now, but they say they are ninety-nine percent sure that whatever came out of me was sexually transmitted.”
He stared at her blankly from just inside the doorway.
“That means it came from you, Eli. You gave this to me.”
She reached inside her overcoat and whipped out her carbon steel kitchen knife, pointing the blade in his face as she worked her way in through the door.
“How many other girls are you fucking? Is she here? She’s here, isn’t she?”
“Now wait, Libbey. Please. Don’t get mad. There’s one other girl. Just one. Really.” He found himself backing up through the front room now. “Her name is Jenny––”
“Who?”
“Jenny. Jenny Cardille. Ah, listen, I didn’t, I never––”
“What? What kind of a sick joke is this?”
“What?”
“Jenny? Jenny Cardille? That’s the name of the girl who died on the Long Island Motor Parkway, Eli. The story I covered. The motorcycle crash. I watched her splatter on the pavement.”
“Libbey, listen. We––”
“Enough already. No more games. I want to see who’s in your bedroom.”
“My bedroom?”
“Yes, your bedroom.” She started backing him up toward his bedroom door now. “This whole week you’ve kept me away from your place. Now I want to see what’s so fucking im––”
She trailed off as she was near enough to see through the sliver in the door.
“Oh my God.” She shook her head at him, wanting to disbelieve her own eyes. “Oh my God.”
“What’s the matter, Eli?” Jenny called from the bedroom. “What’s going on?”
“Nothing’s the matter,” he shot back. “Just wait in there, please.”
Libbey revolted. “You’re talking to it?”
“Don’t call it an it. Her! Don’t call her an it.”
“Oh God, this is so disgusting. How could you?”
She dropped the knife and clutched her stomach, and remembering the doctor’s, she grew unbearably ill.
“You monster... you psycho!”
He reached a hand toward her.
“Gah, get away from me! Don’t touch me!”
She cringed away from him and bolted for the door, throwing it open and fleeing into the night.
“Damn!” he cried.
He stooped to retrieve the knife from the floor and headed out the door after her, pausing a moment before exiting to add, “I’ll be right back, love.”
Disgusted beyond all belief, Libbey dashed away down the sidewalk, her open-toed mid heels clacking on the wet pavement.
“Libbey,” Eli called after her. “Libbey, we can work it out. Stop behaving like a child.”
“You’re fucking dead people!” she screamed back at him.
Her right heel suddenly snapped beneath her and she went down hard on the cement, shattering her right kneecap.
Breathless, he came to where she kneeled under the glare of a tall streetlamp. He clutched her by the back of her neck and pointed the knife in her eye. She blinked furiously against the rain beating down upon her. The tip of the blade danced about threateningly in her face.
And as he held her there under the light, Eli realized suddenly what was wrong with her. She had a mind of her own. Free will. The option to disagree if she so desired. She was a living, breathing creature with all the right in the world to be whoever she wanted to be.
This would have to be remedied.
He raised the knife high and thunder rolled deeply.

Part V. Epilogue

The storm had cleared by the following day. Gone were the grey skies and the blustering winds. Squirrels were back in the trees again. Meter maids were delivering tickets as needed. The sun’s rays danced once more through the passing windows of the A train.
Neville was making his rounds about the house, scurrying inside of his exercise ball. He thudded hard into the railing of the stairwell, then turned about-face and pushed himself off into the bedroom where Libbey was sitting on the couch and clicking pleasantly through various channels. She wouldn’t be a journalist any longer. She would be a homemaker from now on––and maybe she would take up painting.
There came the sound of the refrigerator door swinging shut.
Eli leaned in from the kitchen.
“We’re out of booze,” he announced. “I’ll head to the store and pick up some Stella.”
She smiled warmly and said, “Thanks, hon,” then proceeded to pick at the veins dangling out the front of her throat.